Nan Avant: Audio, Delivery, and a Quick Response
My experience as a composer has been primarily working with independent filmmakers with smaller budgets on short, feature, and documentary films. As I read through the articles from this month's SCOREcast writers, I found similar scenarios that I also encounter in my work — one of them being the question of audio demonstration. Whether the project is with a local filmmaker or an out-of-town client this is certainly a factor to consider, and I have learned to ask many questions at the beginning of a new project.
Read MoreRyan Leach: Long Distance Scoring
Today's technology has made it possible to score a project with anyone no matter where they're located. However, long distance scoring does come with plenty of challenges.
Read MoreBuild Your Own Temp
Do you ever wonder “why” a piece of music works in a scene? Does it just bug the ever-loving crap out you, like it does me,...
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