Delivering Film and TV Music
From a technical point of view, preparing music files for delivery according to your client’s requirements should be a pretty...
Read MoreMixing—Technical Guidelines, Part 3
Since, as a mixer, I'm not involved in the mysteries of a spotting session, this month's column is going to be another in my series of "tech tips", covering some engineering issues that have recently been in the air.
Read MoreMore Bits, More People
Seems like there are a lot of ways to spend your money these days, often more money than may be coming in. What are the right choices to...
Read MoreCompeting with Technological Assumptions
We have been reading great articles this month on how to stay competitive as a composer, but can technology or the latest sample library or monitors help you be competitive? It could, but it could also bear no relevance whatsoever. For me being a recording engineer and having to appeal to a wide variety of people means that I need to stay competitive in my gear selection, my rates, my marketing, and my best practices. I can no longer afford just try to compete on my talent or skill alone.
Read MoreThe Brightest Light In The Room
I’m sure you’ve had this experience: you go to a party, a meeting or seminar, or maybe just an informal gathering of people —...
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