All About Delivery for Film and TV Music

From a technical point of view, preparing music files for delivery according to your client’s requirements should be a pretty straightforward thing. Although every project is a little bit different, there are some standard procedures, and we’ll go over them, with some definitions, a few precautions, and one or two minefields. Copyright secured by Digiprove © 2011All Rights ReservedOriginal content here is published under these license terms: X License Type:Read OnlyLicense Summary:You may read the original content in the context in which it is published (at this web address). No other copying or use is permitted without written agreement from the author.

April’s Theme: Delivery & Finaling

We’ve covered a lot of ground here at SCOREcastOnline.com this last month as we’ve talked about “spotting films” and we are going to continue to discuss some of the other technical aspects of the post-production process over the next 60 days as we close in on our website’s one-year anniversary in May.

Mixing: Technical Guidelines, Part 2

Recording and mixing music is a collection of skills that can take a lifetime to acquire. But almost every composer needs to do their own mixing sometimes, whether for a demo, low-budget project, or other reasons. The equipment keeps getting better and is widely available, especially with the computer software packages most composers work with. Let’s take a look at a few ideas and concepts about mixing music for the screen. Setting up your studio First of all you need an appropriate place to listen and work. A deep discussion of room acoustics is too much for this article, but for a fantastic resource check out “Acoustic Design For The Home Studio” by Mitch Gallagher….