Delivering Film and TV Music
From a technical point of view, preparing music files for delivery according to your client’s requirements should be a pretty straightforward thing. Although every project is a little bit different, there are some standard procedures, and we’ll go over them, with some definitions, a few precautions, and one or two minefields.
Read More →Delivery, Finaling and Changing the World
I’ve already outlined a few technical thoughts on delivery and “finaling” (whatever that is) in my Weekend Provocations this month… and I’ll continue to do so in the weeks to come.
As I began to write today’s article, though, I realized that our April focus itself is built on some assumptions. Those assumptions, and their ramifications, after the jump.
Read More →Delivery vs. Demo
Today’s Provocation strays ever so slightly off our April theme, but I hope you’ll follow along anyway. I’m going to lay out my some of my own ideas on turning delivered cues into demo cues. My overall opinion: if you want to put your best musical foot forward, there’s work to be done. Potentially lots of work.
Read More →Translator
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