It’s hard to talk about what you suck at. It’s no fun. Nonetheless, it is vital if you want to grow and get better. The tough thing about your own weaknesses is that you are usually the last person to identify them, and it seems like others can sometimes be just a liiiiiiitle too happy to point them out to you—usually when you really don’t want to hear them!
Learning how to identify and examine your weaknesses as a composer, mixer, orchestrator, editor, player, copyist, manager/agent, executive… whatever, is an important step in creating the career you’ve always wanted. However, it doesn’t end there. If you really want to move yourself to the next level, not only do you have to figure out what your weaknesses are, but then you have to find a way to conquer them. You have to follow through on a solution if you want achieve more for yourself.
With that: What is your biggest weakness? And more importantly, how do you plan to conquer it?
Hit the COMMENTS below and let’s hear it!