Mixing—Technical Guidelines, Part 3
Since, as a mixer, I'm not involved in the mysteries of a spotting session, this month's column is going to be another in my series of "tech tips", covering some engineering issues that have recently been in the air.
Read MoreLeon Willett: Spotting For Video Games
So far during my career, I’ve had the pleasure of scoring two video games. In line with this month’s SCOREcast focus, I want to...
Read MoreSpotting Content
We’ve looked at the ins and outs of spotting in the last couple of weeks; now, after the jump, we’ll talk a bit about all the...
Read MoreSpotting from the Cheap Seats
***Note — What started out as an article about the role of assistants in the spotting process turned out to be a little more than that. I'll cover some aspects of spotting from a composer assistant's perspective, but you'll find more of an overarching description about what assistants should and shouldn't do overall in this particular column. End disclaimer. ;-) When you assist a composer, which I have spent the majority of my time in LA doing, it's hard to get excited about the "spotting session". It is only on Spotting Day that I know several things are about to take place for me: I'm going to be fetching a hell of a lot of coffee and I'm going to repeating the phrase, "Can I get you anything else?" a whole helluva lot, too.
Read MoreHeather Fenoughty: Staying in Sync
This has been a fascinating month of articles on the ins, outs, technicalities, principles and importance of music spotting. It’s...
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