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Heather Fenoughty: How to Get Your Mojo Back

Nov 25th, 2009 | Category: Articles

Ever have those days where you just don’t feel like it?

And no matter how much you stare at that blank sequencer page, the notes just aren’t forthcoming? And you wonder if you’ll ever get that li’l spark of inspiration back..

How do you get your compositional, creative, musical mojo back if it’s gone on hiatus and you’re suffering a little ‘Creative Burnout’?

First: recognise that though you are sadly mojo-less now but that it shall inevitably return again! We’ve all experienced it from time to time, it’s perfectly normal, and there really is light at the end of the tunnel.

Make time to recharge the juices in your creative batteries and then get back in the game. :-)

—-

So… I was brainstorming ideas for this here topic of creativity and creative processes (of course, Creativity 101 is brainstorming, how else would I start)… and my research led me to this post:

How to survive creative burnout by Scott Berkun

I cannot tell you how this post resonated with me, an utterly positive experience – a relief.

Wake Up Call

I read recently in one of Deane’s comments

“Unless your heart is miserable when you are not making music, unless you feel sick to your stomach when you are not composing the music you hear in your everyday life meanderings, please, I beg you… go do something else.”

Comment in Weekend Provocation Gets Uncomfortable

I cannot tell you how that depressed me.

Because, at that time, I could think of nothing less I’d rather do than sit at the computer and write music.

Yes. Alarm bells, people. This was not a nice place to be in. Should I go do something else? If the thought of composing was turning me into a grumpy wretch, perhaps now was the time to reevaluate certain life choices.

I have been composing for as long as I can remember. Even before all the formal training stuff, I’ve been writing little ditties and improvising on various instruments. It’s just something that I like to do. There’s always a tune evolving in my head. There’s no off switch for that particular radio (bit pschizo I know, but maybe that’s what it takes to be creative, eh?).

Though I don’t get the pangs that Deane clearly feels if I’m not composing, I get really ratty if I’m not allowed to write, for whatever reason, for several days in a row. Totally antsy, mean and not very nice to be around. I’m never happier or more energised than when I’m in the flow and composing in the studio.

It was a gradual feeling that slithered up without me even realising it, but recently I wasn’t getting that kick out of the process. And that’s why we do it isn’t it? Put ourselves through the heartwrenching lows and orgasmic highs to scribe our feelings into music? Because we love it, masochistic types that we are ;-)

So there was no kick. No nothing.

But now I’m back in the game. Wooh yeah! It’s like I’m 22 again and the music’s just flowing.

So what was this weird blip I experienced? Creative burnout. Sounds a bit yuppy psychobabble but it fits the bill…

Toasty

Reading through Scott Berkun’s post, I realised that what I was experienced was completely normal, other people go through it, and, more importantly, it’s not permanent. I wish I’d found the post a month or so ago, and perhaps the recovery process would have been more expedient, and certainly less worrisome.

But as it is, I found a way through it, and if this post helps just one of you lovely SCORECast readers avoid the burnout, or (if it’s inevitable in your line of work, as I suspect it may be in mine) recover from it faster, perhaps it will have a had a greater purpose.

Cos it really did suck big time.

From Scott’s article, here are some of the common signs of burnout:

  • You dread getting up in the morning (unless this is not unusual for you)
  • You don’t care anymore about something you were passionate about
  • You saw the title of this essay and felt a ray of hope
  • Inspired motivated creative people annoy you
  • Everything seems gray and pointless
  • You’re drinking more or eating more, or showing whatever your signs of depression are
  • You find it hard to relax
  • It seems impossible to do basic work you know you’re capable of

Any of this sound familiar? :-S

I had gotten to the end of a long series of very cool, but exacting, scheduled projects and had returned home with the idea that now I could work on my own ideas, write something just for me – that perhaps that was the problem, and I just needed to spend a little time composing purely for the sake of it.

My muse clearly had other plans though. She’d up and left and headed out the country, it seems. Sick of the never-ending requests for inspiration, she was wrung dry, and not best pleased about it.

So I decided not to fight it.

This has to be Step 1 in the recovery strategy for Creative Burnout – Acceptance.

Realise that the only way around is through it. Be ok with it. And go and do something else.

That’s Step 2 – do something else. Don’t just wallow in self-loathing and disgust cos the tunes aren’t materialising. Do something fun, different, exciting, relaxing. Despite my independent feminist right-on perspectives, I ended up baking cookies, brownies, cakes etc. Yummy, sweet, warming things that maybe weren’t so great for the waistline in the long term, but in the short term it was something fun, very different (food prep is my better-half’s arena), easy but a little creative, with something physical and real to show for it at the end.

Maybe that was Step 3 – do something creative but in a different field.

Then there was all the other practical stuff that would have probably sorted me out eventually had I not done any of the above – I got enough sleep, ate really well (apart from all the cookies), got back into yoga and met up with friends that I didn’t have the chance to previously because of long hours at work and generally being v tired, not exactly life and soul of the party.

So now it’s all good. I’m back on track, and utterly relieved.

Maybe it is an inevitable part of the Film Composer’s life that Creative Burnout looms purely from a result of plumbing the depths of our emotions and processing them with the full extent of our skills, on demand, on a regular basis and to tight schedules.

Having gone through it I know that if ever happens again, rather than mistaking it for a sign that I should quit the business, I will now recognise it for the temporary, fixable event that it is.

It’s just a little reminder to take a step back and recharge the batteries ready for the next epic score. ;-)

More reading…
How to Survive Creative Burnout

The Four Stages of Burnout

Avoiding Creative Burnout
Tips from the writer of ”Addams Family Values” Paul Rudnick

How to Recover & Recharge from Creative Burnout

Over to you…

Have you ever experienced any of the symptoms of creative burnout?
What strategies got you through to the other side?
What do you do differently in future to avoid it?

All anecdotes and advice strongly appreciated!

I’m also interested to see how many of us will admit to it. We’re supposed to be constantly up, ready to give the project our all, to keep writing into the fourteenth hour and have those creative juices ready and raring to go the next day without fail – is it professional suicide to admit defeat? To realise that you gotta recharge those inspiration batteries once in a while?

I don’t think so… at least… I hope not… ;-)

Based in the North of England in the UK, HEATHER FENOUGHTY is an award-winning freelance composer and sound designer. She has scored several feature films and documentaries for the BBC and ITV, and her credits also include nearly 100 short films including a BAFTA-nominated drama (Nits, 2004). She has composed music and sound designed corporate advertisements for Nissan and other multi-national companies, with clients based all around the world. She also creates soundscapes for cutting-edge contemporary theatre, and her scores have played on the West End and off Broadway. To learn more about Heather and her music, visit www.heather-fenoughty.com.




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View Comments to “Heather Fenoughty: How to Get Your Mojo Back”

  1. Adrian Ellis says:

    Great post, Heather!

    I'm really interest in the idea of work-life balance. As media composers, were often given the impression that it's all or nothing – if you don't sacrifice everything all the time, you will fail. I think it's important to put a lot of thought into exactly what you are willing to sacrifice, and even more brutally honest thought and research into exactly what you will get for that sacrifice. The lifestyle of even some A-lister's is pretty miserable and though they are hugely 'successful', it is not a life I would want. You have to define what success means to you.

    The methods to counteract burnout are great! I would suggest that they should be put into place FAR in advance of burn-out. Time to chill/regroup, be social, eat well and exercise, have other creative interests/outlets – if you develop a system for employing those methods consistently, you'll be a much happier and more productive person. It's a lot like health – being healthy isn't about treating symptoms once you have become ill – it's about doing things that prevent sickness in the first place.

    Simple creative burn-out may also be due to being bored and stuck – stale ideas, no time to get inspired… again, fix the roof when it's sunny outside. When you get some down time, use it to create a set of tools you can go to when you are stuck/bored/uninspired and you need it NOW! Maybe a crazy working method, or a sure-fire instant refresher (for me, going for a walk or spending a couple of hours in a hopping but cozy coffee shop). When I'm stuck creatively, I notice I'm stuck creatively in ALL areas, meaning I can't think of a creative way out of my stuckness. Having a list of options that I created while in a good place is invaluable – like going into a negotiation with the answers to possible objections already memorized.

  2. For sure, the current smash-and-grab working environment around today's media composers eventually takes its toll. As humans, we are wired for cycles of work and rest – but this line of work doesn't acknowledge that reality. More than once I have fallen prey to the “there's *gotta* be another way to make a living” feeling that comes with being creatively tapped/suppressed. Usually that happens because I chose to ignore previous warning signs down the slippery slope past “the blahs” and “the blues” to a full-on mental wipe out.

    This usually stems from what I call “Everest syndrome”. Composers are like other types of artists that typically are rewarded for suffering. Once we've experience the elation of overcoming what seem to be insurmountable odds to accomplish a creative project, we become addicted to that feeling – and continuously extend (and over-extend) to experience it again. That sets up a self-feeding cycle that can cause us to ignore those little warning signs that tell us to disengage and decompress along the way.

    If you're in this business for real, then you have to discipline yourself to heed the signs before they sideline you without your conscious permission. There are times when I'm better and worse at keeping my eye out for signs of burn-out, but being purposefully aware of it helps. I see it as an inevitable part of the job, but the key is to limit it's effects and to quickly regain traction after an occasional flame-out.

    I think “normal” people have vacations and such to rest and re-charge, but I've always viewed concepts such as “vacation” and “retirement” as inducements for those people that hate their jobs, and use those artifices as a means to compensate for a less-than-optimal work arrangement. That's probably the wrong way to look at it, but that's my view today. When you love composing as much as I do, every day in the studio can feel like vacation – and when it *doesn't*, then that's the *first* sign that it's time to take a step back and think about what you're doing.

    Great article! Thanks so much for an honest and encouraging read!

  3. lhsanders says:

    Really inspiring, Heather—and I would add one more small piece of advice: when in doubt, listen. Listen to the music that originally inspired you to get into this insane line of work. Get back to that moment when your inspiration was pure, unsullied by the realities of the biz. It's a field that deals in un-reality, and that fact alone makes it all too easy to lose your focus and your enthusiasm.

    At the end of the day, we're all doing this because we want to express something timeless, something universal… something that connects us to everyone else. I've spent the last few hours re-connecting to some of my favorite music—stuff that reminded me of the intrinsic power we're playing with when we step into our studios.

    It's so easy to forget, when we're inundated with deadlines and filmmaker notes and impossible budgets and all the other petty stresses that come with this gig, that we're hooked up to a pipeline like no other. Our ability to “hear it” really IS something unique and different and important.

    When we come across those all-too-rare opportunities to express ourselves with the full support of our filmmaking colleagues, we can connect with people in a way that no other art form can. And that, in my book, is worth the struggle.

    And that ought to be enough to get us through those scary moments when the mojo feels like it's left us for good.

  4. This is a great post, Heather. I read it a couple of months ago, but I was so far into creative burnout I just couldn't see any way to get out of it. And it was a long stretch, lasting about four months. I'm slowly crawling my way back from that, and it made me realize how closely – for me, at least – feeling healthy and being creative are tied.

    Rereading this post and the comments really helps, too.

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