Community View All →

The Soundiron/SCOREcast Mercury Symphonic Boychoir Extravaganza

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By   61 days ago

Join your local SCOREcast Regional Community Chapter THIS WEEK and receive over $100 off on Soundiron’s new Mercury Symphonic Boychoir!

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David Saunders Named SCOREcast’s Director of Global Community

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By   190 days ago

London-based composer David Saunders tapped to lead SCOREcast’s global community development.

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Happy 6th Anniversary, SCOREcast!

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By   259 days ago

To kick off our 6th year at SCOREcast, the global SCO community put this video together to surprise our leadership team with an important announcement.

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Semple, Fischer Take New SCO Roles

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By   536 days ago

As SCOREcast’s 5th Anniversary celebration rolls on this month, there couldn’t be a better time for some of those faces to be added to the leadership ranks within SCOREcast!

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Steve Jobs’ Legacy

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By   591 days ago

As a film composer, I look around my studio and see how so much of my business is based on products that Steve Jobs touched. He was a true visionary not only in the tech industry, but in the world.

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Community Counts

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By   871 days ago

Community is really the driving force behind everything that we do at SCOREcast. Here is where we are taking that concept this year with a more intense focus.

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SCOREcast: LONDON

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By   887 days ago

The quality of film music born out of the United Kingdom is legendary and needs no introduction. With several talented orchestras and many skilled composers, the UK has become a major player in the film music industry. The British Invasion just had a reboot.

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The Extinction of the Orchestral Player

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By   899 days ago

If film musician employment follows the pattern of concert musicians at all, players might be fighting a losing battle. The national dialog regarding the importance of orchestral musicians is heating up in light of recent developments.

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The SCOREcast Podcast Show View All →

SCOREcast 36: Charlie Clouser

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By   164 days ago

In our last show of 2012, Deane and Brian visit at length with Charlie Clouser of Nine Inch Nails fame and composer for the “Saw” franchise and the just released “The Collection”.

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SCOREcast 35: Michael Barry and Michael Patti

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By   192 days ago

Deane and Brian speak with Michael Barry and Michael Patti, co-founders of Cinesamples, about the recent decision by the American Federation of Musicians union to deny contracts to sample library producers.

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SCOREcast 34: Peter Rotter

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By   217 days ago

Deane and Brian ring in six years on the air with premiere Los Angeles contractor Peter Rotter, whose mile-long resume features the majority of the biggest films of the last decade.

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Happy 6th Anniversary, SCOREcast!

Screen Shot 2012-09-02 at 8.03.07 AM

By   259 days ago

To kick off our 6th year at SCOREcast, the global SCO community put this video together to surprise our leadership team with an important announcement.

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SCOREcast 33: Women in Film Music Roundtable

Conductor's Baton and Sheet Music

By   421 days ago

Deane Ogden sits down with five of film music’s most successful female composers for a discussion on the business. This insightful panel of composers includes Pinar Toprak, Sharon Farber, Marie-Anne Fischer, Tina Guo, and Ceyda Pirali and covers topics ranging from segueing between the concert and film worlds and the changing landscape of gender concerns in the film industry.

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NAMM 2012: Sonokinetic Vivace

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By   486 days ago

Deane Ogden chats with Sonokinetic founder Rob Vandenberg about his newest creation, “Vivace”.

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LA Scoring Strings 2.0

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By   500 days ago

Brian Ralston talks LA Scoring Strings creators Andrew Keresztes and Sebastian Katz into spilling the beans over the new LASS Version 2.0.

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SCOREcast 32: Tom Salta

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By   544 days ago

Veteran video game composer Tom Salta stops by to chat with the boys about the art and business of scoring video games during SCOREcast’s 5th Anniversary episode.

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SCOREcast University View All →

Scoring to picture in Logic 9 (part 2)

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By   87 days ago

In this second part of the “Scoring with Logic Pro” article series, Yaiza Varona talks about a few more features of Logic that can really make your life easier!

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Scoring In PreSonus Studio One – MIDI Workflow

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By   107 days ago

Presonus Studio One power-user Nikola Jeremic takes you through the process of MIDI workflow in Studio One!

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Scoring to picture in Logic 9 (part 1)

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By   122 days ago

Yaiza Varona guides you through the procedure of setting up Logic to score a movie, importing the movie and properly syncing it to your project.

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Dynamic Controllers – Origins, History and Compressor Controls

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By   170 days ago

After a brief introduction to mixing, Jorge Costa dedicates this and the next articles to dynamic controllers with central focus on compressors, how they operate and how to use them.

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Scoring With PreSonus Studio One – Setting Up

Mastering Project Window In Studio One

By   178 days ago

Studio One power-user Nikola Jeremic takes you through the process of setting up Studio One for some serious scoring work!

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Scoring With Presonus Studio One – Introduction

Mastering Project Window In Studio One

By   185 days ago

Presonus Studio One power-user Nikola Jeremic presents the features that make Studio One a highly versatile and essential tool in any modern composer’s arsenal.

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Sequencing and Processing Woodwinds

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By   199 days ago

In this second article about sequencing and mixing orchestral sections, Asimakis Reppas looks at how you can make your woodwind mockups come to life!

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Orchestrating your Harmony in the Woodwind Section

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By   206 days ago

Following the strings article series, Stellita Loukas now tackles woodwinds in a three-article series covering ranges, registers, characteristics, special techniques, how to orchestrate the melody and harmony within the woodwind section. This is the third and last article of the series, discussing ways in which the harmony can be orchestrated within the woodwind section.

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Composition View All →

Forget Tech, It’s About the Notes

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By   125 days ago

Composer Jeff Tolbert explains why it’s important to step away from the gear and make sure you’re actually doing what your job title suggests: composing.

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How to Use Chord Voicings Effectively – Part 2

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By   237 days ago

In this second part in a series on chord voicings, Robin Hoffman writes about low interval limits and explains how to effectively apply them to your music.

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How to Create Tension with Climbing Scales

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By   300 days ago

An examination into the boring old scale, and how it can actually be exploited to create tension in your music.

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The Running Line in Orchestral Writing

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By   321 days ago

Composer Alain Mayrand teaches us how to add motion and activity to our orchestral writing by using running lines.

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How to Use Chord Voicings Effectively – Part 1

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By   335 days ago

Robin Hoffman kicks off a new series on Chord Voicings by discussing how we hear consonance and dissonance.

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Value Studies: A Painter’s Technique for Composers

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By   349 days ago

How the Value Study, a useful technique from the world of painting, can be applied to the art of Composition.

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Big and Small, Part 1: How to Make Your Music Small

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By   363 days ago

In an industry where bigger is better, Jeff Tolbert discusses ways that you can take your music in the opposite direction and sound really small.

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An Approach to Finding Your Voice

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By   384 days ago

Alain Mayrand discusses what it means to find your own voice as a composer, and offers up suggestions for how to develop yours further.

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Technology View All →

Templates I: Introduction

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By   25 days ago

Sequencer templates have become an important part of most composers workflow. This first part of SC’s new template series introduces the topic and explains what templates can do for you.

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SPOTLIGHT ON: “Drumasonic 2.1″ and Drumasonic “Luxury”

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By   32 days ago

Got drums? We do! Johnny Knittle guides you through a tour of one of the most exciting things to happen to sampled drums in quite a long time: The “Drumasonic 2.1″ engine update and their newest drum library “Luxury”.

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Scoring In PreSonus Studio One – MIDI Workflow

Quantize Tool

By   107 days ago

Presonus Studio One power-user Nikola Jeremic takes you through the process of MIDI workflow in Studio One!

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How to Use iTunes as a Reference Database

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By   165 days ago

One of the most underrated applications on the planet, iTunes can be a powerful tool for finding reference material and inspiration in a heartbeat. This article as the first in a series about iTunes for Composers shows you how.

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Smaller Kontakt Library Developers

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By   177 days ago

We all know the big names of sample libraries development. But what about the less-known ones? Matt Bowdler explores a number of gems you can find without having to re-mortgage the house or break the bank…

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How to Use External VSTs with Sibelius 7: Part 2

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By   200 days ago

In the second part of his tutorial, composer Derek Bourgeois deals with integrating VSL Vienna Instruments into Sibelius 7.

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How to Use External VSTs with Sibelius 7: Part 1

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By   214 days ago

Sibelius’ ability to use 3rd party VST instruments is a powerful tool for well-sounding playback while composing. Composer Derek Bourgeois in a two-part guest post guides you through his setup for integrating EW Play and VSL VI into Sibelius.

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How to Make Large DAW Templates Load Faster

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By   235 days ago

Making a large template work well without hiccups, but still not demanding extremely powerful hardware is no easy task. But fortunately it is a task where there is plenty of room for optimizations. This article shows you a few tips and may come in handy.

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Industry View All →

What Are You Worth?

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By   240 days ago

Composer Brian Ralston puts a different spin on how you sell yourself as a composer in today’s over-saturated market.

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Aurora: A Temple Defiled, but Not Destroyed

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By   301 days ago

The Aurora tragedy sent shockwaves through the filmgoing community and has almost silenced the filmmaking one. Is that the way we’ll leave it?

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51 Marketing Ideas for Film Music Composers

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By   538 days ago

Attention spans are short and very demanding. If you want to make your art into a business, you have to brand yourself and then market your art. No getting away from it.

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10 Lessons on “Breaking In”

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By   607 days ago

I often get asked for a checklist of things one can do to break in to the business. Here is my personal “top ten” of lessons learned.

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Worst Advice for Beginning Composers

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By   680 days ago

When you are starting out, everyone has an opinion. And here’s mine.

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You’re Not Ready

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By   691 days ago

You’ve been told you’re talented. You just graduated music school. You have your plane ticket. You’re gonna be famous. Not so fast, Johnson.

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Richard Bellis: Re-Sophisticaton

Richard Bellis—SCOREcast composing

By   864 days ago

Advanced technology has merely enabled us to be efficient, but composing music for media is much more than efficiency.

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Why Composers & Lyricists Should Affiliate With The Teamsters

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By   913 days ago

The road to Unionization isn’t simply paved with negotiations about pension and benefits… It is about the core definition of what we do as media composers and how we are perceived by those who hire us to accomplish that work.

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